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LOOKING AROUND : A new song strives to be heard
By Barbara Sofer
Jan. 30, 2003
Those interviewed in the outdoor markets and soup kitchens in recent
weeks complained that politicians remember them right before elections,
then disappear for the years in between.
They needn't feel so neglected. One huge group of potential voters didn't
even rate the attention of politicians at election time.
I'm talking about women voters. The campaign for the 16th Knesset was
devoid of attempts to woo women as a special-interest group with special
needs. Even the so-called social lobby that addresses poverty largely
ignored us, even though women are the primary caretakers in Israeli families,
the ones who have to stretch the budget to buy food and clothing.
In a Right-Left political debate I moderated last week, both the Peace
Now activist and the settler found common ground in condemning how regressive
Israeli women were within their parties and in the public sphere. We all
know the old Israeli cliche about "other issues" getting pushed to the
proverbial back burner during wartime - not that the campaign ads were
pregnant with innovative ideas to bring back peace and prosperity. But
what we used to call "sexual politics" didn't even make it to the back
burner. Bad move. We women are actually a majority of those casting ballots,
and might have made a difference.
The right of women to vote hasn't been obvious to all parties throughout
Israeli history. But look how nicely even the most religious parties have
been able to adjust to the women's suffrage they once rejected! In this
week's election, not one religious party insisted that its women supporters
stay home and avoid the public exposure of a voting station. Was the past
year a total loss for women's issues? Maybe in politics, but not if you
look within the religious world, where we confront and nurture our inner
selves through these difficult days. I take comfort in a quiet but significant
change in women's status within the world of the Orthodox synagogue.
Just two weeks ago, on Shabbat Shira, a Jerusalem congregation called
Shira Hadasha (A New Song) celebrated the completion of a full-year cycle
of weekly Shabbat and holiday services. Shira Hadasha is an Orthodox congregation
with a partition (mehitza) dividing the men's and women's sections.
The congregants are Shabbat-observant and include a dozen or so Orthodox
rabbis, numerous Orthodox Jewish educators and teachers in religious schools.
But unlike most Orthodox congregations, women and men serve on every committee.
Women and men give the Torah talks during services. Women and men lead
preliminary services. Women and men are called up to the Torah. During
a Shabbat celebration it is just as likely to be a bride as a groom reading
the haftara (section from The Prophets) before the wedding. A girl celebrating
her bat mitzva is given equal status to a boy celebrating his bar mitzva.
Sweet little girls' voices are welcomed in singing Shir Hakavod (The Song
of Glory) so many Orthodox women's first childhood memory of discrimination.
A full explanation of the halachic underpinnings of the congregation cannot
be addressed here. They are best studied in the seminal article by Rabbi
Mendel Shapiro on the Edah website, (Qeri'at haTorah by Women: A Halakhic
Analysis, at www.edah.org), and the discussion of it. A central difference
between Shira Hadasha and most Orthodox congregations is a changed interpretation
of the concept of kavod hatzibur, matters of the congregation's public
dignity. The core reason women weren't allowed to say the blessing over
the Torah relates to this concept, not to a prohibition. After all, the
Gemara says, "All are eligible to receive one of the seven aliyot." Even
women. Educated Orthodox Jews have long questioned whether the definition
of what would offend public dignity should be adjusted to suit new societal
norms and better reflect changed gender roles. Here and there, Orthodox
holiday and Shabbat services have taken place with separate seating, but
with women taking a larger role.
SHIRA HADASHA is the first such weekly Orthodox congregation. A nucleus
of young Orthodox couples, most notably Rabbi Dr. Moshe Habertal and Rabbanit
Dr. Tova Hartman Habertal, were the prime movers. Almost immediately the
congregation outgrew a small room in the International Cultural Center
for Youth on Rehov Emek Refaim, and moved to a much larger auditorium
in the building. That, too, is always crowded.
Shira Hadasha was a main subject of discussion at the JOFA Conference
on Feminism and Orthodoxy in New York last November. But in Jerusalem
it has had little publicity, and certainly no advertising. Nonetheless,
more than 300 people pray in the makeshift synagogue every Shabbat. At
least three forever-religious friends used identical words to describe
their experience: "I've finally found a synagogue I like." But there remains
a difference between accepting the halachic argument and feeling comfortable.
Even for us women getting used to the sound of our own voices in public
prayer, taking on the least complicated of public synagogue roles feels
scary and ponderous.
I, for instance, feel confident moderating televised public debates, but
given the honor of opening the Ark for the first time, my hands shook.
What if I didn't do it right? What, I ask you, could have gone wrong in
pulling back a curtain?
I'm not alone. A not-uncommon sight in the congregation is that of middle-aged
women who have brought up families or educated generations or judged court
cases bursting into tears as they say their first-ever blessing over the
reading of the Torah. That women love Shira Hadasha makes it an object
of suspicion, of course. A well-intentioned person recently called me
aside in the supermarket to make dire prognostications about my attending
an Orthodox synagogue where a woman's voice is heard. Where can this newfangled
New Song congregation possibly lead?
Not to a solution of all our problems, I don't think. But certainly to
an impact on the Jewish world. In a commentary on Miriam's Song in a publication
by Chabad, based on the teachings of the Lubavitcher Rebbe, I believe
I've found an answer. "We don't sing when we are complacent," Rabbi Schneerson
pointed out. "We sing when we are striving for something, or when we have
tasted joy and are climbing it to the heavens."
Song is prayer, an endeavor to rise above the petty cares of life and
cleave to one's source. Song is the quest for redemption.
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